ExcelsisBerny
She/Her- 1,674
- 3,021
At first, I was not planning to get involved with this thread, but I changed my mind after reading it and seeing that a ton of things are being taken out of context. Now I am motivated.
Let’s dance, Blaze.


The thread, as I said before, has a ton of unnecessary information, so I am going to limit myself to responding to the important parts that seem directly wrong to me, either because of overanalysis or because you are cherry picking information, which, funnily enough, dismantle any kind of High 1-A+ scaling.
I would like to start with something the OP is directly and objectively wrong about, which is claiming that the Outer Gods are infinite in number.
Quoting the OP directly:
The issue with this is that the novel never, and I repeat, NEVER, directly states that the Outer Gods are infinite in number. When the God Universes appear before Akuto and Bouichirou in ACT 13, no number is ever mentioned per se, so there is no concrete way to assign a value to the number of Gods that exist. The scene itself is considerably vague in that regard.
This is the relevant text:
Bouichirou states that the birth of a universe is, technically, equivalent to the birth of a story, and at the same time, a universe itself is a collection of stories.
Because of this mechanism, which is strangely similar to the typical multiversal model that operates through branches of possibility, where each individual possibility likewise gives rise to the existence of a multitude of different possibilities, there can be "any number" of those entities (this strongly implies that the number of "outer universes" is equivalent to the number of "Outer Gods" by mere correlation).
In the original Japanese, the expression used to indicate quantity is いくらでも, which refers, usually hyperbolically, to an immense but finite amount of something.
And this is not something I am saying just to try to downplay this verse, but something Mizuki himself (the author) clarifies twice to fans who ask him questions on Twitter/X. And it is funny because, unlike other statements where it is obvious that Mizuki does not understand the questions, this time the guy answers directly, flatly denying that there are infinite Outer Gods.
And this should be obvious even contextually. DKD’s cosmology does not work like MWI or anything similar, where the wave function does not collapse and therefore all the endless possibilities have concrete existence from the beginning, rather than being mere abstractions.
Instead, the verse openly tells you that the process of 'world' creation, from its beginnings in the Void Universe up to the Gravity Universe (where beings already possess individuality and start developing stories), takes thousands of years. This means it is openly and normally causally progressive, not infinite from its inception, which also disproves the idea that the timeline stretching back to the beginning of all stories is infinite/eternal.
In other words, if the process of creating stories depends on time, finite time is needed to develop stories, and an infinite amount of time has not passed from the Void Universe to the formation of the God Universes, the only logical conclusion is that the God Universes are NOT infinite, and consequently, neither are the universes.
Now then, despite everything shown, and despite the fact that the author himself directly establishes that the Outer Gods are not infinite, the OP tries to provide evidence to support the idea that the Outer Gods and possibilities are infinite, so I will now respond to those arguments one by one:
Argument #1: Bouichirou said that the universes are infinite.
The excerpt used to support this is the following:
The problem with this argument is that it conveniently ignores two facts. The first is that Bouichirou has no way of knowing whether there are infinite Outer Universes or not, since he has never traveled to all of them. The second is that the phrase itself uses “probably,” which denotes that it is simply a theory.
And we already know that both the narrative itself and the author debunk that theory, so using this as evidence is completely invalid.
As if that were not enough, the original japanese version does not even say “infinite.” Instead, it uses the kanji 無数, meaning “countless,” which in this context means a very large number.
Argument #2: Yoshie said that there are infinite parallel possible worlds.
The excerpt used to support this is the following:
There are multiple problems with this.
To begin with, Yoshie is talking about potentialities, not actualities. The purpose she gives Akuto in that scene is to actualize all theoretical possible worlds into reality, so if those possibilities need to be actualized first, then they are not something that concretely exists.
Therefore, you cannot use the number of these kinds of possibilities to argue that they are equivalent to the number of Outer Gods.
And even if this were taken as worlds that concretely exist before Akuto creates them, there is still the problem that these possibilities are not infinite in number.
To understand this point, it is necessary to read the text in its original language, since J-Novel did not translate this part correctly.
In the original Japanese text, it is not directly established that the possibilities are infinite. Instead, it uses 無限ともいえる, which leans more toward “virtually infinite” or “could be called infinite,” with the obvious connotation that they are not truly infinite, but rather so numerous that they could be considered “infinite.”
And this is supported by the way Akuto creates these possibilities in the first place.
While there is a belief that Akuto creates these possibilities through the combination of letters or words to form coherent sentences, the truth is that what Akuto actually does is take the scenarios (the space), and the characters (identities) of the story, making them interact in a multitude of different ways.
This is evident in the original language, where the katakana キャラクター is used, which refers to characters/personalities/identities within a story.
So, for obvious reasons, those “infinite possibilities” are not actually infinite, but simply an enormous number, unless you genuinely think there can be literally infinite interactions between a set of characters and a limited space.
Which, by the way, is impossible because time and space in DKD are not infinitely divisible, since if they were, the text openly says that Achilles and the tortoise paradox would become real. Which is logical, because across any distance in space or time, one would have to traverse an infinite number of points.
Funnily enough, even the title of ACT 13 - Chapter 4, which J-Novel translates as “Infinite Universes,” is mistranslated, because the wording used is 無数の宇宙, which simply refers to a very large or countless amount. This supports everything I have written so far.
This also explains why it is said that, as Akuto kept simulating and advancing through possibilities, he was gaining more characters and scenarios to work with.
This part of the text would make absolutely no sense if Akuto could create all possible worlds from nothing by using "combinations of letters" (or stuff along that line), because in that case he would already have all possible information at his disposal.
And to top it all off, all of this is even narratively supported, because if Akuto really could create any possibility he wanted without restrictions, then what sense would it make for him to test thousands of stories across different scenarios without success in order to reach his goal?
That does not look in the slightest like the behavior of an omnipotent God. Rather, it seems that Akuto is storing information from the possibilities he tests so he can reuse it in new stories.
In other words, he cannot simply reach his ideal world instantly. He needs a process. And mind you, this is after the whole “chaos” nonsense the OP is arguing to be the collapse of all logical possibilities due to Akuto supposedly having created or encompassed all possible worlds.
No matter how you look at it, the OP’s interpretation makes no sense and requires assuming that Akuto is an idiot or something along those lines just to even make a little sense of it.
So, in summary:
The excerpt used to support this is the following:
While this argument seems to go against what is established in the last ACTs of the novel by showing that there is an “infinite past,” you have to keep in mind that “infinitely far back in the past” can perfectly be hyperbolic wording used to express a very long time.
Akuto went from the Void Universe to the world of stories in thousands of years (just like Hiroshi TLOI), so the idea that there is an infinite past is completely incoherent with everything, even ignoring my arguments from the first part of the response.
However, there is also an answer given by the author for this same scene, and it is that the guy forgot what he wrote in the first five ACTs. That is why the information from the early ACTs does not always line up with the final ACTs, like ACT 13. In other words, he retconned the information.
This is not something that unrealistic or absurd in context, because that novel was published over five years, from 2008 to 2013.
Therefore, the most recent information is the one that should be taken into account, and that information is that there is no “infinite past,” as I demonstrated in the first part of this response.
Now, in this third part of the message, I am going to refute some loose arguments from the OP that serve as complements to the main point.
“Akuto destroyed the Afterlife, so he was not limited to that system when he released the possibilities.”
Quoting the OP:
This is directly false, but even presupposing it were true, there is no evidence that Akuto “destroyed” the Afterlife BEFORE releasing the possibilities, so you cannot establish that causal relationship for no reason solely to support your agenda.
Anyway, none of the quotes the OP used demonstrate anything of the sort. Let’s go through them:
These two statements are literally telling you that what Akuto did was reset the Afterlife. “Erased” is not literal in this case. What he did was alter its arrangement so he could manifest the worlds he had been testing during his stay in that world.
The OP tries to respond to this by claiming that what Akuto did was “reset his world” and not the Afterlife:
But this justification is nonsensical because the world of the Demon King IS the Afterlife. Like, the very two quotes he posted literally tell you that.
And on top of that, just as the statement above defines the world being reconstructed in “digital form,” Mizuki himself defines the Afterlife as the world of data/information, which clearly shows that while Akuto altered its structure by digitalizing it, it is still the same system.
And all of the above is basically confirmed in the novel itself when Akuto, upon creating the final world, explicitly says that he is “reconstructing” the Afterlife, which confirms that he never completely “erased” it like the OP wrote.
In other words, this means that the justification Blaze tried to give to “debunk” the previous thread that limited the “possible worlds” to the lower system of the Afterlife is completely false, and the problem still stands even if we ignore the entire previous debunk of the “infinite possibilities.”
And as the final nail in the coffin, even if we literally ignore EVERYTHING I have written so far and assume that Akuto, according to your argument, is not limited by literally any system (the prerequisite for High 1-A+), that would still be textually false, since God Universes Akuto, post-chaos and after the release of possibilities, explicitly says that there are entities above him.
(Which is also demonstrated by the elevated level of narrativization of his story.)
Now, next point.
"Releasing of possibilities leads to a total annihilation of all the stories"
This is what the OP argues:
The reason "chaos" is mentioned is extremely simple, and it is something I already wrote in the old downgrade thread: when Akuto broke through his internal barriers, he allowed the Outer Gods to self-insert into his stories, increasing their narrative density.
This caused a bunch of protagonists to try to advance at the same time within a shared setting, which led to complete narrative chaos.
This is the equivalent of you defining a story and then having thousands upon thousands of protagonists in that same story all advancing at the same time. It is OBVIOUS that this would create a tremendous amount of chaos that makes the structure of the world stop making sense.
And by the way, the act of releasing the possibilities is equivalent to creating new universes inside the God Universe. So, evidently, since Akuto does not have “infinite characters” on hand, as I already explained in the second part of this response, your interpretation that Akuto encompassed within his being all logically possible worlds is nonsense. What is actually happening is that Akuto tests worlds as he creates them.
Summary
Let’s dance, Blaze.
The thread, as I said before, has a ton of unnecessary information, so I am going to limit myself to responding to the important parts that seem directly wrong to me, either because of overanalysis or because you are cherry picking information, which, funnily enough, dismantle any kind of High 1-A+ scaling.
I would like to start with something the OP is directly and objectively wrong about, which is claiming that the Outer Gods are infinite in number.
Quoting the OP directly:
"This alongside there being infinite Outer Gods each with its own separate individual that can act as subject for predication, though unknown what it could amount to, refutes any argument for finiteness of space."
The issue with this is that the novel never, and I repeat, NEVER, directly states that the Outer Gods are infinite in number. When the God Universes appear before Akuto and Bouichirou in ACT 13, no number is ever mentioned per se, so there is no concrete way to assign a value to the number of Gods that exist. The scene itself is considerably vague in that regard.
This is the relevant text:
Are they all like me?" he asked, and the outer gods disappeared without answering. The people, or universes, that he'd glimpsed vanished as well. Only Boichiro and Akuto remained at the table.
"They're probably the same as us."
They sat in shocked silence for a while, but eventually Boichiro was the first to speak.
"They, and you, are universes. God Universes, I guess you could call them. No, you could say that until you unleashed the possibilities of the world, you alone were like them."
Boichiro pointed at Akuto, Akuto let out a long sigh and nodded.
"The birth of a universe is like the birth of a story. If a universe is a collection of stories, there could be any number of beings on the outside that are like us."
-- ACT 13: CH 4
Bouichirou states that the birth of a universe is, technically, equivalent to the birth of a story, and at the same time, a universe itself is a collection of stories.
Because of this mechanism, which is strangely similar to the typical multiversal model that operates through branches of possibility, where each individual possibility likewise gives rise to the existence of a multitude of different possibilities, there can be "any number" of those entities (this strongly implies that the number of "outer universes" is equivalent to the number of "Outer Gods" by mere correlation).
In the original Japanese, the expression used to indicate quantity is いくらでも, which refers, usually hyperbolically, to an immense but finite amount of something.
RAW
「宇宙の誕生は、物語の誕生に似ていた。宇宙が複数の物語だとすれば、外側には僕と似たような存在がいくらでもあるのだろうね」
TL
'The birth of the universe was similar to the birth of a story. If the universe is multiple stories, then outside, there are probably any number of beings similar to me.'
-- ACT 13: CH 4
And this is not something I am saying just to try to downplay this verse, but something Mizuki himself (the author) clarifies twice to fans who ask him questions on Twitter/X. And it is funny because, unlike other statements where it is obvious that Mizuki does not understand the questions, this time the guy answers directly, flatly denying that there are infinite Outer Gods.
Question
You said countless Archetypal extra-universal gods, for example, do you have a number like 10,100,1000 in your mind, also, are all Archetypal gods equal or one trascendes the other?
Answer
Extra-universal gods cannot be counted in real numbers(They are mixed), but I don't think they are infinite.
-- Scans
Question
In the novel, Archetype Extra Universe God, there is a sentence for Extra God, "They were humanoid and countless in number." When you say countless, do you mean infinite number?
Answer
It's a mess caused by translation. countless ≠ infinite. means many
-- Scans
And this should be obvious even contextually. DKD’s cosmology does not work like MWI or anything similar, where the wave function does not collapse and therefore all the endless possibilities have concrete existence from the beginning, rather than being mere abstractions.
Instead, the verse openly tells you that the process of 'world' creation, from its beginnings in the Void Universe up to the Gravity Universe (where beings already possess individuality and start developing stories), takes thousands of years. This means it is openly and normally causally progressive, not infinite from its inception, which also disproves the idea that the timeline stretching back to the beginning of all stories is infinite/eternal.
In other words, if the process of creating stories depends on time, finite time is needed to develop stories, and an infinite amount of time has not passed from the Void Universe to the formation of the God Universes, the only logical conclusion is that the God Universes are NOT infinite, and consequently, neither are the universes.
“I am the Gravity Universe. There, existence becomes one with its outer walls and gains mass.”
The image turned to that of the gravity universe. There was light and darkness. And existence there, while still amoeba-like, had clearly defined walls
separating it from its exterior. They were like the walls of a cell, shining in the reflected light.
“You!” the voices shouted. But though it was the same sound, they sounded like an angry yell. This time, the beings were aiming for each other. They would
fly at each other in order to collide.
“The walls mean that the cry of ‘Who!’ never escapes to the outside. The beings advance in search of others,” the blue figure said, as they continued to see what was happening. The beings collided, and the one with the weaker walls burst. Most of its insides would melt into space, but a tiny part was absorbed by the walls of the stronger.
-- ACT 13: CH 5
“The concept of ‘cruel’ is only something you feel because you view things through stories. You will simply start over from the beginning. In the next instant, you’ll go to the void universe, and then you will shift to the faceless universe, and then the gravity universe. Though it may take tens of thousands of years.”
“Don’t say that! Am I starting the story over from scratch?”
“There’s nothing that can be done about it. Because you are you.”
-- ACT 13: CH 6
Now then, despite everything shown, and despite the fact that the author himself directly establishes that the Outer Gods are not infinite, the OP tries to provide evidence to support the idea that the Outer Gods and possibilities are infinite, so I will now respond to those arguments one by one:
Argument #1: Bouichirou said that the universes are infinite.
The excerpt used to support this is the following:
“That’s a little off. ‘Other dimension’ and ‘outer universe’ are two words for the same thing. We don’t know a lot about other dimensions, except that there’s probably infinite numbers of them. But as for the others, you’re correct. And the Law of Identity is involved in them all. It’s likely that she made them. And that’s why they’re relatively easy to understand.”
-- ACT 13: CH 1
The problem with this argument is that it conveniently ignores two facts. The first is that Bouichirou has no way of knowing whether there are infinite Outer Universes or not, since he has never traveled to all of them. The second is that the phrase itself uses “probably,” which denotes that it is simply a theory.
And we already know that both the narrative itself and the author debunk that theory, so using this as evidence is completely invalid.
As if that were not enough, the original japanese version does not even say “infinite.” Instead, it uses the kanji 無数, meaning “countless,” which in this context means a very large number.
RAW
少し違う。異次元と外宇宙は言葉の違いで同じものだ。異次元についてはよくわかっていない。おそらくは無数にあるのだろう……としか。だが、他(ほか)は正しい分類だ。それらにはすべて自同律が関(かか)わっている。
TL
Slightly different. Different dimensions and outer universes are the same thing, differing only in terminology. As for different dimensions, they are not well understood. Only that there are probably countless of them... But the others are correct classifications. The law of identity is involved in all of them.
-- ACT 13: CH 1
Argument #2: Yoshie said that there are infinite parallel possible worlds.
The excerpt used to support this is the following:
Yoshie began to explain the concept of possible worlds, which was difficult to understand just from the database.
For example, “An elephant flies” or “Hitler appears in Paris in the year 2000” are both physically impossible, but perfectly grammatical sentences. If an elephant had wings, or if Hitler was still alive, they could quite easily happen. If you accept that these worlds are possible, you realize that the world is filled with endless possibilities, which can be thought of as simultaneously existing parallel worlds.
-- ACT 13: CH 3
There are multiple problems with this.
To begin with, Yoshie is talking about potentialities, not actualities. The purpose she gives Akuto in that scene is to actualize all theoretical possible worlds into reality, so if those possibilities need to be actualized first, then they are not something that concretely exists.
Therefore, you cannot use the number of these kinds of possibilities to argue that they are equivalent to the number of Outer Gods.
“You’re going to make every possible theoretical world,” Yoshie said, as if ordering him.
“Every one of them, huh?”
It was a staggering concept to think about.
“Whatever is left at the end is what you want. View every possible world, and then choose the one you want.”
-- ACT 13: CH 3
And even if this were taken as worlds that concretely exist before Akuto creates them, there is still the problem that these possibilities are not infinite in number.
To understand this point, it is necessary to read the text in its original language, since J-Novel did not translate this part correctly.
In the original Japanese text, it is not directly established that the possibilities are infinite. Instead, it uses 無限ともいえる, which leans more toward “virtually infinite” or “could be called infinite,” with the obvious connotation that they are not truly infinite, but rather so numerous that they could be considered “infinite.”
RAW
例えば、「象が空を飛ぶ」「ヒトラーは西(せい)暦(れき)二〇〇〇年に巴(ぱ)里(り)を訪問した」というようなふたつの文章は、現実には有り得ないが、文法としては成り立つ。もし、象が飛行生物であったなら、もしヒトラーが死ななかったなら、現実としても成り立つ。それらをあり得たかも知れない世界として肯(こう)定(てい)していく。すると、世界には無限ともいえる可能性が含まれていることがわかる。それらは並行世界として無限に存在していると考えてもよい。
TL
For example, two sentences such as 'an elephant flies through the sky' and 'Hitler visited Paris in the year 2000 CE' cannot occur in reality, but they are grammatically valid. If elephants had been flying creatures, and if Hitler had not died, they would also be valid as reality. One affirms them as worlds that might have been possible. Then, it becomes clear that the world contains possibilities that could be called infinite. It may also be considered that they exist infinitely as parallel worlds.
-- ACT 13: CH 3
And this is supported by the way Akuto creates these possibilities in the first place.
While there is a belief that Akuto creates these possibilities through the combination of letters or words to form coherent sentences, the truth is that what Akuto actually does is take the scenarios (the space), and the characters (identities) of the story, making them interact in a multitude of different ways.
This is evident in the original language, where the katakana キャラクター is used, which refers to characters/personalities/identities within a story.
So, for obvious reasons, those “infinite possibilities” are not actually infinite, but simply an enormous number, unless you genuinely think there can be literally infinite interactions between a set of characters and a limited space.
Which, by the way, is impossible because time and space in DKD are not infinitely divisible, since if they were, the text openly says that Achilles and the tortoise paradox would become real. Which is logical, because across any distance in space or time, one would have to traverse an infinite number of points.
RAW
空間こそ有限であり、キャラクターこそ有限ではあるが、その組み合わせは無限となる。可能性を開く、ということは、概念としてだけでなく、実際に阿(あ)九(く)斗(と)の内にあったはずの世界の壁すら解放してしまったことを指す。
TL
Space itself is finite, and the characters themselves are finite, but their combinations become infinite. To 'open possibilities' refers not only to doing so as a concept, but to actually having released even the walls of the world that should have existed within Akuto.
-- ACT 13: CH 4
He repeated what the textbooks had told him.
"Time is relative. It's the same thing as space in which matter moves," he said. "As speed goes up, the space you can move to increases, and so does the probability that you'll encounter various events. But matter can only move in one direction. Expressed in two dimensions, it's like only being able to choose one point within an expanding ripple on a lake."
"That's more or less right. One thing cannot exist at multiple points in space at the same time. But here that law doesn't apply. That's why I was able to go back in time."
Boichiro picked up a branch and used it to draw a line on the ground.
"The reason that something can't exist in multiple places at once is that, in fact, time has a minimum unit size. If it could be infinitely divided, then the paradox of the tortoise and Achilles would be made real."
-- ACT 13: CH 1
Funnily enough, even the title of ACT 13 - Chapter 4, which J-Novel translates as “Infinite Universes,” is mistranslated, because the wording used is 無数の宇宙, which simply refers to a very large or countless amount. This supports everything I have written so far.
This also explains why it is said that, as Akuto kept simulating and advancing through possibilities, he was gaining more characters and scenarios to work with.
This part of the text would make absolutely no sense if Akuto could create all possible worlds from nothing by using "combinations of letters" (or stuff along that line), because in that case he would already have all possible information at his disposal.
As soon as the modern era arrived, they became exponentially more complex, because the machines and cities themselves became elements in the story. But what made things particularly difficult here were the elements brought in by the gods of outer space. Things that the Law of Identity lacked were there.
-- ACT 13: CH 4
And to top it all off, all of this is even narratively supported, because if Akuto really could create any possibility he wanted without restrictions, then what sense would it make for him to test thousands of stories across different scenarios without success in order to reach his goal?
That does not look in the slightest like the behavior of an omnipotent God. Rather, it seems that Akuto is storing information from the possibilities he tests so he can reuse it in new stories.
In other words, he cannot simply reach his ideal world instantly. He needs a process. And mind you, this is after the whole “chaos” nonsense the OP is arguing to be the collapse of all logical possibilities due to Akuto supposedly having created or encompassed all possible worlds.
No matter how you look at it, the OP’s interpretation makes no sense and requires assuming that Akuto is an idiot or something along those lines just to even make a little sense of it.
That was where Akuto gave up making stories. It had all started to seem pointless. The stories were all developing, but everything he made felt so... stupid. The only thing he seemed to want was a world where he could feel peace and comfort forever.
-- ACT 13: CH 4
So, in summary:
- There are no infinite possible worlds as actualities.
- There are no infinite possible worlds as potentialities.
- Akuto cannot manifest possible worlds without restrictions.
The excerpt used to support this is the following:
"Since they have no bodies, there is no distinction between themselves and the outside world. And thus, they can contemplate infinity. I don’t mean infinity in the numerical sense — they can contemplate infinitely dense infinities. And this means that they can reach a place that would seem, to biological life, to be infinitely far back in the past. These gods without a body can reach back to the thoughts of single-celled organisms. The birth of life, and thus, the birth of thought. And it is thought itself that creates the universe. Once again, I don’t mean the objective universe. There’s a school of thought that says that if the world were born five minutes ago, and we were all implanted with fake memories, none of us would be able to prove it. But that’s only true if you have a body. It doesn’t apply to thought without a thinker. Essentially, the universe is real, and time only flows in one direction."
-- ACT 5: CH 3
While this argument seems to go against what is established in the last ACTs of the novel by showing that there is an “infinite past,” you have to keep in mind that “infinitely far back in the past” can perfectly be hyperbolic wording used to express a very long time.
Akuto went from the Void Universe to the world of stories in thousands of years (just like Hiroshi TLOI), so the idea that there is an infinite past is completely incoherent with everything, even ignoring my arguments from the first part of the response.
It had taken thousands of years to reach this point, and still stories hid themselves from mankind, he now believed.
-- ACT 13: CH 4
However, there is also an answer given by the author for this same scene, and it is that the guy forgot what he wrote in the first five ACTs. That is why the information from the early ACTs does not always line up with the final ACTs, like ACT 13. In other words, he retconned the information.
This is not something that unrealistic or absurd in context, because that novel was published over five years, from 2008 to 2013.
I thought it was infinite in mathematical set theory. Infinite density is also a computer-generated world. Sorry if my knowledge of set theory is incomplete and wrong. There may be some discrepancies between volume 5 and volume 13.
-- Scans
I have been sick since volume 11 and it took me years to get to volume 13. I have forgotten some of the concepts during that time.
-- Scans
Therefore, the most recent information is the one that should be taken into account, and that information is that there is no “infinite past,” as I demonstrated in the first part of this response.
Now, in this third part of the message, I am going to refute some loose arguments from the OP that serve as complements to the main point.
“Akuto destroyed the Afterlife, so he was not limited to that system when he released the possibilities.”
Quoting the OP:
Similar to how the nature of Afterlife was explicit, something that was more explicit was simply, there was no Afterlife to release the possibilities in. Akuto erased Afterlife prior to releasing all possibilities.
This is directly false, but even presupposing it were true, there is no evidence that Akuto “destroyed” the Afterlife BEFORE releasing the possibilities, so you cannot establish that causal relationship for no reason solely to support your agenda.
Anyway, none of the quotes the OP used demonstrate anything of the sort. Let’s go through them:
“So, the Demon King changed the whole afterlife?” Brave asked, putting a hand on his hip.
“It’s always getting changed. This time, however, he erased it.”
“Erased it? You mean he reset it and did it over?”
-- ACT 13: CH 3
“I see. Everyone died and was reborn... But at the hands of the Demon King.”
“Correct. The entire world was reconstructed in digital form. Just like the computer gods once tried to do.”
“So why delete it and start over? He’s practically a god. How is he not satisfied with the world he created?”
“We can guess at that from the statements he made. Because it was a world that had ended, but would continue for eternity,”
Boichiro said. “I know the feeling.
-- ACT 13: CH 3
These two statements are literally telling you that what Akuto did was reset the Afterlife. “Erased” is not literal in this case. What he did was alter its arrangement so he could manifest the worlds he had been testing during his stay in that world.
The OP tries to respond to this by claiming that what Akuto did was “reset his world” and not the Afterlife:
This "restart" might suggest that he is recreating the Afterlife, which is not the case. Akuto is reconstructing the entire world separately from TLOI's world, whilst the Afterlife is still erased. So was the reason for the sacrifice mentioned by Boichiro.
But this justification is nonsensical because the world of the Demon King IS the Afterlife. Like, the very two quotes he posted literally tell you that.
And on top of that, just as the statement above defines the world being reconstructed in “digital form,” Mizuki himself defines the Afterlife as the world of data/information, which clearly shows that while Akuto altered its structure by digitalizing it, it is still the same system.
“The afterlife is within the boundaries of her creation as well. And we can assume that it’s within the domain of the Demon King, too.”
-- ACT 13: CH 3
The first stage is the fictional world.The afterlife is a solipsistic world, which is probably only information. Finally, the beginning of our universe. It is the beginning of all possibilities.
-- Scans
And all of the above is basically confirmed in the novel itself when Akuto, upon creating the final world, explicitly says that he is “reconstructing” the Afterlife, which confirms that he never completely “erased” it like the OP wrote.
In other words, this means that the justification Blaze tried to give to “debunk” the previous thread that limited the “possible worlds” to the lower system of the Afterlife is completely false, and the problem still stands even if we ignore the entire previous debunk of the “infinite possibilities.”
“In other words, you’re going to write my story... and end it.”
“Yes.”
Akuto wasn’t sure what to think. This was an idea he’d never come up with.
“Is it okay for me to ask you that?”
He couldn’t predict what would happen, but he knew that if it worked, it would put him on a course for a true ending.
“It’s fine. It’s something only I can do, and anyway, killing you is my goal. And by doing that, I can save this world. That’s how it feels to me,” Hiroshi said softly.
Akuto stared him in the eyes for a moment, and then smiled.
“Alright. I’ll rebuild the afterlife then. You want me to strengthen the influence of the outer gods, and return the world to its pre-mana-civilization form, right?”
“That’s right. Maybe sometime in the 1990s?”
“I’ll try it. How it works... is up to you.” Akuto balled up the world in his hands again, and then let it spread out wide.
-- ACT 13: CH 4
And as the final nail in the coffin, even if we literally ignore EVERYTHING I have written so far and assume that Akuto, according to your argument, is not limited by literally any system (the prerequisite for High 1-A+), that would still be textually false, since God Universes Akuto, post-chaos and after the release of possibilities, explicitly says that there are entities above him.
(Which is also demonstrated by the elevated level of narrativization of his story.)
RAW
「だが、結局のところ外宇宙の神々とて虚構なんだ。ただ、自身では神、人類、幽霊の区別がつかないだけだ。上位者に教えてもらうことで、そして、ひとつの宇宙に囲いを作った時のみ、神、人類、幽霊は、はっきりと分かれる。誰の内部にあるのか理解できるようになるということだ」
望一郎の分(ぶん)析(せき)に、阿九斗は考え込んだ。
「さて……そうなると、僕はいかにして上位者に答えたらいいのか? ということを改めて考えることになる。僕は僕の内部だけでなく、自同律の宇宙の、その全存在を救いたい。彼らを物語から解放したい。それが望みだ」
TL
'But, in the end, even the gods of the outer universes are fiction. It is just that they themselves cannot distinguish between gods, humanity, and ghosts. Only by being taught by a higher being, and only when an enclosure has been made around a single universe, do gods, humanity, and ghosts become clearly separated. It means becoming able to understand whose interior they are within.'
At Bouichirou's analysis, Akuto fell into deep thought.
'Now then... if that is the case, I will have to think once again about how I should answer the higher beings. I want to save not only what is within me, but all existence in the universe of the law of identity. I want to free them from the narrative. That is my wish.'
-- ACT 13: CH 4
RAW
「僕らは物語化されている度合いが強い?」
「我々は世界を虚(きよ)構(こう)のものと知っている。物語化されている度合いはかなりのものだ。そうは思わないか?」
望一郎の言葉は、阿九斗にも思い当たるところはあった。
外宇宙からの介(かい)入(にゆう)を受けたとおぼしき物語は、世界を虚構のものと捉(とら)えないことが中心となっていた。それは、確実に受肉した一回しかない生き方を前提とした物語だ。
「外を見て、はじめて自分のことがわかった気がする」
阿九斗はうなずいた。
TL
'Is the degree to which we have been narrativized high?'
'We know the world to be something fictional. The degree to which it has been narrativized is considerable. Do you not think so?'
Akuto, too, found something in Bouichirou's words that came to mind.
The story that seemed to have received intervention from the outer universe centered on not regarding the world as something fictional. It was a story premised on a way of living that had certainly taken flesh and existed only once.
'I feel like, by looking outside, I understood myself for the first time.'
Akuto nodded.
-- ACT 13: CH 4
Now, next point.
"Releasing of possibilities leads to a total annihilation of all the stories"
This is what the OP argues:
This part seriously pisses me off because there is not ANY statement about “the possibilities being annihilated.”There is one major problem with this entire argument, Releasing off all possibilities and testing of stories are two different plot events. Releasing of possibilities leads to a total annihilation of all the stories, the "Chaos", which was followed by the process of Universe creation.
The reason "chaos" is mentioned is extremely simple, and it is something I already wrote in the old downgrade thread: when Akuto broke through his internal barriers, he allowed the Outer Gods to self-insert into his stories, increasing their narrative density.
This caused a bunch of protagonists to try to advance at the same time within a shared setting, which led to complete narrative chaos.
This is the equivalent of you defining a story and then having thousands upon thousands of protagonists in that same story all advancing at the same time. It is OBVIOUS that this would create a tremendous amount of chaos that makes the structure of the world stop making sense.
Until then, you could say that humanity shared a story. Everyone, essentially, was playing their own role in the story. That's why the world refused to allow anybody but Akuto to alter it.
But what happens if a story ceases to be shared?
The answer is: chaos.
The gods of the outer universe were, you could say, their own main characters, with their own main stories. So multiple protagonists tried to advance their own stories within the same place. It may have been chaos, but there was no conflict.
-- ACT 13: CH 4
And by the way, the act of releasing the possibilities is equivalent to creating new universes inside the God Universe. So, evidently, since Akuto does not have “infinite characters” on hand, as I already explained in the second part of this response, your interpretation that Akuto encompassed within his being all logically possible worlds is nonsense. What is actually happening is that Akuto tests worlds as he creates them.
Summary
- There are no infinite Outer Gods, and consequently, there are no infinite Outer Universes.
- The timeline that makes up the causal events from the Void Universe to the formation of stories is not infinite.
- The “possible worlds” Yoshie mentions are potentialities that are not infinite in number.
- Akuto does not create possible worlds through permutations of language. He only alters the scenario and uses very limited information, namely fictional characters and narrative elements, to give shape to a new world.
- Akuto cannot create whatever possible worlds he wants, and he is limited to obtaining more information by testing new stories as they progress. His initial pool of information is textually limited, even with the new elements brought in by the Outer Gods when they self-insert into his stories.
- Since DKD’s world is not infinitely divisible spatially or temporally, it is not logically possible to create literally infinite variations of scenarios, even presupposing that Akuto possesses all the information from the beginning.
- Akuto never erased the Afterlife. He only reset it every time he created a new world to test. And there are entities above the domain of the Demon King, so even presupposing that none of the above existed, the system would still not be modally maximal.
- The “Chaos” is not referring to the annihilation of stories. It only refers to a narrative chaos where a countless number of characters do not follow a concrete role in the story and all try to advance as protagonists at the same time.
