There are a few reasons why this assumption is utilized.
First of all, the Grand Line is vast on a global scale to where it dwarves every known relevant island that we see, and if Alabasta was large to the scale that it's being assumed to be
Alabasta is an extremely large island, and
this is by the in universe standards of one piece as well
Alabasta is known as a large island to the point where it is seen as a country with large states and cities in it. Alabasta is one of the few islands known for being a "country", contrasted with the other islands that usually hold one city and such. Alabasta is one of the nations known to have a formal government with relations with the World Government. They are large enough to be an established colony.
Meanwhile the other islands are the size of a chunk of football fields and they hold either a forest ora city.
The purpose of Alabasta is to be a different beast regarding landmarks compared to the rest of the islands around it which are just tourist traps the size of my street.
You have detailed this yourself in one of your previous responses. So it would not be ridiculous to say that Alabasta would be visible in comparison to the Grand Line itself.
Yet in every single shot we see of the planet, we see that Alabasta is never shown. Alabasta is a dot on the map in every instance when we see the grand line. We have never seen Alabasta on any world map.
Using these scans to establish some sort of consistency of Alabasta not even being visible in comparison to the grand line makes absolutely no sense. These scans don’t even have consistency between what island
ARE actually shown. And two of the scans you provide are just for the purpose of explaining the Grand and Red Line, that do not show any islands or landmarks, and wouldn’t make sense to show any other islands or landmarks, as they are just explaining the Grand Line and Red line. Using scans that do not even have consistency between themselves in terms of islands in order to establish consistency with islands shown is not a reliable method.
Why is that?
It's because the Grand Line is an ocean extravagantly large that it takes you days just to get to the next island in the path.
In reality, we can take the biggest island that we can calculate that we know is on the Grand Line, and if it isn't shown on the map of the Grand Line, we can assume it's like... a pixel large and highball the hell out of it. But we didn't. We calculated the size of the climate zone for one island and said that that was the Grand Line's width, and apparently it's "too much".
I address this below, but it does not take days to reach the next island in the path of the grand line
Secondly, we know it doesn't contain the damn Calm Belt.
The Calm Belt is a textureless area of sea from birds eye views.
That is not true. The calm belt contains texture numerous times throughout the manga.
Even from a top-down view. The texturing seen in that scene is simply the texturing oda does in general on all of the water, when it gets further away from the screen. You can see this same texturing
all throughout the calm belt. Hell, you can even see it in
your own scan you provide further down. Notice as how you go further upwards, and further backwards from the POV, the water automatically defaults to the same texturing?
This same default texturing is also used for islands all throughout the Grand Line as well. I can show
even more examples of this too.
This is an anime only scene. The anime adaptation is not considered canon to be able to consider its integration into, or priority over, the original timeline as per our canonicity standards. This would include anime exclusive scenes such as this.
This is because the Calm Belt has no wind or waves, hence the name "calm belt".
The Calm Belt does have waves. As I explain further down
Comparing this with
the texture of the ocean surrounding Alabasta and you can see that the water around Alabasta is part of the Grand Line, not part of the Calm Belt.
I had to use the anime cause when I used the manga I was greeted with arguments about "Oda draws all water like that", which isn't even the case.
Even appealing to the anime only differences, the “texture” shown here does not at all contradict with what we are shown exclusively in the anime with the scan you previously provided.
Comparing them side-by side does not really reveal any contradictions between texture or appearance of the water of the Calm Belt and the water we see around Alabasta. Or at least anything that would match the Grand Line any more.
From close range, they have no waves.
This is the water of the grand line vs
the water of the calm belt.
The only reason why close range we see water appear
like this in the Calm Belt is due to the presence of Sea Kings moving around, and even with that, it would be localized "textured water".
Your example of the water of the Calm Belt actually includes texture ironically. The argument that the waves we see in the calm belt are only due to the movement of sea kings is also inconsistent. There are multiple times where we see waves in the calm belt without the presence of sea kings. And just a few panels after the example you give of the Calm Belt having no waves, at least
10 separate sea kings appear. So the mere existence of sea kings under the surface likely are not what are causing the waves in most of these panels, especially considering we do not see sea kings at all in the vicinity. To assume that almost
every one of these instances of waves and detailing is caused by seakings that are simply offscreen, at least I think, is a pretty ridiculous assumption. And again, in scan of the calm belt one you can also see that as the water gets further from the screen, the water defaults to the same detailing that oda uses on any water that is far away. And regarding that very same scan, there are instances where
the Grand Line has less waves than that
Yet in the far shot, like you said, each pixel contains an area of over 227km by 227km. Unless the sea kings moving around can manipulate hundreds of thousands of kms of water to make it look similar to the Grand Line, then no.
I don’t see why the sea kings
would need to manipulate hundreds of thousands of kms of water for it to be indiscernible. The texturing we see is the exact same texturing we see Oda use on any water that is further away from the camera. And I don’t even know that it’s impossible for them to manipulate that much water. Sea kings are over 5km long and some are much longer. And there are hundreds of them. Shirahoshi is considered an ancient weapon with the “power to destroy the world” just for being able to control them. The power to control sea kings is put into the same category as something that was able to wipe an entire island off the map and
raise the global sea level by one meter in a single use. That category being as one of the
three ancient weapons. These are the same ancient weapons that in the past
raised the global sea level by 200 meters. And if we were to take the assumption that what we see is not the basic texturing Oda does on all of his water, and in fact pronounced waves that are actually this big, these things would easily qualify as tsunamis,
which can travel tens of thousands of kilometers, and likely much further within the One Piece verse. You yourself are even open to the idea of residual waves from the Grand Line.
In fact, in the Chap 101 scan you use, the only reason why it even has moving water is the residuals from the grand line.
So even if you consider the basic water detailing seen in the panel to be actual pronounced waves, that would still not rule out the Calm Belt being present at all within it.
Oda might draw whatever he wants however he wants, but if he draws them both in the same map he would showcase a difference, like he did in the shot on chapter 101.
So when we show
this shot intending to show Grand Line water and people try to say it's part of the calm belt, you can understand the frustration.
This has already been addressed. The main issue is that there
would be no discernible difference that could be showcased between the Calm Belt and Grand Line under the conditions of the panel. This also ventures into the weird and speculative territory of author’s intent
In regards to the size of Alabasta and trying to minimize the distance between Alabasta and other islands, it's just... wrong. Dangerously wrong.
First of all, Oda was able to show a crack on Alabasta in the far shot, representing the split in the island meant to show a 50km river. So if Oda is capable of showcasing a 50km crack on a 227x227 panel, he can do whatever he wants.
I find it hard to believe that
this is meant to be the sandora river. It doesn’t match the shape at all, nor does it connect to the bottom of Alabasta. It seems much more likely it is supposed to be basic detailing, or just mountain ranges.
The closest island to them outside of their next location was Drum Island, and the Strawhats took 9 days to get to Alabasta from Drum Island.
(We know it's been 9 days that they were at sea due to Luffy eating all their food on their 5th day away from Drum Island, and prior to them arriving, Zoro notes that it's been 4 days since they last ate, which was on day 5).
Meanwhile, they were able to sail from the center of Alabasta and around in less than what, 12 hours? This is a giant highball since they slept for most of it then woke up and had to ride the Super Spot-Billed Ducks to get their ship, which canonically while making a mad dash on the ducks to the dock on the river takes like 3 hours, so realistically it was 9 hours maximum.
With the height of Alabasta being 8,000 km, and they went down the bottom then around it and up again, it would've been at least 10,000 kilometers that they covered in maybe, 9 hours?
Simple math to find the closest island, 216 (hours in 9 days) / 9 (hours) * 10,000 km (minimum distance) = 240,000 km. More than double what's even calced in the panel. This is the distance to the LAST ISLAND.
A few problems with this. First, we do not know Alabasta is the island to come after drum island in its route. We don’t even know if they skipped any islands on their way to Drum Island, since they didn’t wait the one year necessary for their log pose to set from little garden, instead they just
ignored their log pose and eternal pose and sailed aimlessly for three days until encountering an island. We know this because on their first day on Drum Island, Kureha states that Nami was infected 3 days ago from Little Garden, which they also spent far less than a day on. For extra context for anyone else reading this, a log pose is a type of compass used to navigate one of the paths on the Grand Line. Once you reach an island in the Grand Line, the log pose must take a certain amount of time to set, after which it will begin to point towards the next island within the path. An eternal pose is a compass that eternally points to a single Island. At the point in the story at which the strawhats travel to Alabasta, they are in possession of an eternal pose to Alabasta. The strawhats very likely used their eternal pose to travel to Alabasta as well. Earlier in this thread you claimed that Alabasta was simply the next island, so the strawhats just didn’t need to follow the eternal pose at all, but where did you get this from? I don’t think it’s ever stated that Alabasta is the island to come next after Drum Island. Why would the strawhats even follow their log pose instead of the eternal pose out of Drum Island? Never are they given the information that Alabasta is apparently the next island their log pose would point to from Drum Island, so they would have no reason to prioritize navigating with the log pose over the eternal pose especially when they have no time to waste. Along with the fact that we know there are Islands much closer to Alabasta that are possible to navigate to Alabasta from, such as Nanimonai. Also, since you like to use anime-only scenes,
here is an anime-only scene showing that they did in fact use the eternal pose to travel to Alabasta. This whole argument is a little weird coming from you in the first place considering one of your main arguments is this.
Oda allows his ships to move as fast as he wants them to.
We see that the width of the actual grand line dwarves every "island to island" distance. The distance between 2 islands is a fraction of the size of the grand line.
Yet we said that this was the size of the entirety of the Grand Line. We highballed it and said that the distances on the panel that we can see of Alabasta, an island that is a dot on the map of the world, and we're saying that the shot showing its surroundings is the entirety of the ocean that dwarves it, and apparently this is too much?
No.
This whole point is rendered null above. But something else I want to address regarding this scan is that, we see that there are actually
15 islands within the middle path of the Grand Line, and I shouldn’t need to say that the strawhats did not travel through 15 Islands using their log pose before reaching the Red Line, only about two-thirds of that number. So this would mean that they would’ve had to skip a few islands on their journey through Paradise.
If there were other islands so close, then it would imply that Alabasta is actually super close in proximity to the Rd Line since there's only a few islands behind it. But guess what we don't see in the birds eye view. The Red Line.
These things are not close, and trying to flip the large result of the Alabasta climate zone onto us by saying "an island would have to be 200km long to be a dot on the map so maybe there's islands close" is just... dishonest.
Due to my points above, we would not actually know how many islands are behind Alabasta. As well as it being incredibly likely there actually
IS an island included in that zoom out, due to the existence of the island Nanimonai, which is considered to be close to Alabasta,
so close in fact that just an eternal pose to there is considered enough to get to Alabasta. Either it’s just that close, or it is the island before Alabasta within it’s path, allowing travel to Alabasta directly from it. It’s existence would mean either Drum Island isn’t the island before Alabasta in it’s path, or that there is very likely an island that is present within the zoomed out panel.
Next you said this.
Which shows a lack of general understanding of the series.
Alabasta is canonically in the central path of the Grand Line's 7 paths. We know this because the Straw Hats took the central path.
We know this because
the Straw Hats eventually had to hit Fishman Island on their log path, the Island in the center of the planet, shown on the map of the paths to be in the center.
We know it's in the center of the planet because
it's directly stated to be under Marijoa, the Island in the center of the grand and red line.
We know it's in the center of the red and grand line because
it's stated to be in the center of the red and grand line, which is why it's called the
center of the world.
Even if none of this was said, the central path is literally highlighted in chapter 105. Hinted to be the path that Crocus, the doctor speaking, took when he went with Roger, and Crocus and the Straw Hats took the
same damn path.
To say that Alabasta could be on the outskirts of the grand line is just... ignoring canon for bad reasons.
This point I conceded on in discord, but that does not stop some of the points here from being faulty. Using the statement “center of the world” doesn’t provide any backing to this argument. Like I’ve already said. There is no center of the surface of a globe. The “center of the world” in reference to Mary Geoise is obviously in reference to what it represents, the center of the world government. The highlighted path argument isn’t very good either. It was a visualization of how the paths work as crocus explained them. They hadn’t even chosen a path at the time of the panel.
It isn't inconsistent to say that they sail over 250 km/h. Not in the slightest.
I noted prior the scenarios where the ship has canonically moved over 250 km/h to prove a point that "Oda can allow ships to be as fast as he wants them to be", but instead you guys focused on the 1 relativistic statement and smeared that through pages.
So you
do recall your statement of Oda allowing ships to be as fast as he wants them to be. Oda allowing his ships to be as fast as he wants to be is something I never disagreed on. This same thing applies to everything within One Piece. Oda can make anything in One Piece exactly as he wants it to be, but this doesn’t mean there can’t be some inconsistency when it comes to arguments made about the series with the series itself.
It isn't inconsistent to say that they sail over 250 km/h. Not in the slightest.
I noted prior the scenarios where the ship has canonically moved over 250 km/h to prove a point that "Oda can allow ships to be as fast as he wants them to be", but instead you guys focused on the 1 relativistic statement and smeared that through pages.
I would say it is a little inconsistent for them to be sailing, on average, speeds of way over 250kmph, though this isn’t a main point that I am focusing much on. There are anti-feats to their sailing speed as well. I also barely focused on the relativistic thing.
The Going Merry was able to swim up
7000 meters of water in
1 exact minute in a
spiral formation prior to
the usage of its wings. In a straight line, this would be 116.666666667 m/s, or 420 kilometers per hour, which only increases substantially when you consider they went in a spiral around it, in contrast to the ridiculous 4 meters per second figure that Damage found.
- It was stated in here that the Knock up Stream was the only reason as to why it moved that fast. That is incorrect.
I don’t understand at all how this instance supports them sailing on average well over 250kmph through the grand line. You also say that it is incorrect that the knock up stream was the only reason as to why they move that fast, which is… confusing? The only reason they were moving upwards at all was due to the knock up stream, the entirety of their velocity came from it and things that it caused. You provide further reasoning as to why you think this:
They already moved that speed, they just couldn't vertically move upwards. We know this because
they were going to fall off by falling backwards, which anyone who's ever ran through a train before can tell you, if you move too much slower than the thing accelerating you, you fall backwards.
When they fully harnessed the environment, they could fly up the stream and in the air.
How does this mean that they already moved that speed? I think your argument is that since they were able to maintain enough speed to stay on the knock up stream, that means that they must move at that same speed while sailing elsewhere, but the thing that let them maintain enough speed to not fall off was
the initial velocity given by the knock up stream as well as the blast of hot air produced by the steam and explosion of the knock up stream itself. They would not experience this same initial thrust of velocity or blast of hot air given to them by the knock up stream just sailing normally horizontally.
My point regarding covering the 10,000 km distance of the Sandora River in 9 hours. This is over 1000 km/h for the Going Merry ship.
This is a point already acknowledged, but this seems like more of an outlier due to the inconsistency and anti-feats, I mean, this is almost mach speeds.
The ability of Viola allows her to see 4,000 km away.
Her vision noted the Straw Hats entering her 4,000 km range the previous night, and they arrived through the Thousand Sunny within the day. 4,000 km. Assuming 12 hours for the timeframe to arrive, since she spotted them in the middle of the night and they got to her in the morning (far before their 3pm meeting time on the connected island), this would be 333 km/h. Again, faster than the figure you gave.
This is a point already addressed. We do not know that the straw hats only entered Viola’s vision at the time Gladius says she was acting strange. Not only is Viola’s senrigan not always actively perceiving everything in her range or using the ability, but the time that Gladius gave for her acting strange would also be around the same time that Doflamingo returned to Dressrosa and urged his crewmates to search for the strawhats. Your evidence that Viola does actively perceive everything within her vision was that
she was able to see Nami’s bolt of lightning on the sunny, even though in the top panel we see that she was actively looking at the sunny and it was in her field of view.
It was Damage that tried to minimize their speed by saying "if they could travel a km in a second". A kilometer in a second is 3600 km/h, far above the speeds both me and the OP gave.
This is in reference to the coup de burst which shoots the ship into the air a kilometer away. Distance doesn't matter, speed does, and the speed of this ship is ridiculous.
This is Damage’s point, so I won’t try too hard to back up this one, but this gives a good example of something I talked about above. If, for example, the assumption was made that the going merry at some point was traveling 7200 km/h sailing, despite the fact that, yes, Oda can make the boats as fast as he wants them to be, wouldn’t you still consider that a little inconsistent? Inconsistency can still arise within assumptions made about a fictional series an author has complete control over. Casting aside these inconsistencies because they do not fit your point of view on the story by simply saying “the author can make it how they want” ignores this.
Then on top of that, you attempted to tackle the moon.
You've pulled what I like to call "delete and deter". You see things that are shaky and you try to delete every single potential way of calculating it until/unless you find something reasonable, which means... reasonable to you, then after every possible way of calculating it is removed, you say "oh, it can't be calcable, too bad".
This is a strawman, and I was never intending to make the one piece planet uncalcable.
Edit: Since this response me and KT have actually discussed possible re-calcs for Blue Planet
I know this cause you removed the planet and moon size and you didn't even give an alternative. You expect us to go and pick up the bits and pieces of YOUR WORK.
This is the same grievance you have brought up in the previous big one piece size downgrade thread. Which was addressed by multiple people within it.
What would happen to the profiles next would be covered by a follow-up CRT; it's not the sole burden of the person pointing out the flaws to have to come up with a complete replacement. And it wouldn't be the worst thing if a few calcs ended up being removed from the scaling or the profiles. There are still other calcs, other feats and other scaling.
A new calculation isn't necessary to justify the removal of another calculation. This thread's topic is the removal of the flawed calculation. When that has been established then we can look into the possibility of a new calc.
The same thing applies here. Not only is it not necessary to provide an alternative to the calculation, but I was waiting until all of the debating was done on the current one to even focus on that. There are people actively suggesting re-calcs in this thread, though you aren’t very fond of them.
This thread had someone make a thread trying to minimize large planets strictly cause One Piece has a large planet when we have light novels on this wiki that have mountain ranges the size of solar systems. This thread has given random ridiculous scrutiny based on "big planet" from a select few people evaluating it, and it's unfair and just dumb.
I do not know of any verses you could be referring to, but the beauty of this forum is, you could make a thread at any time scrutinizing those verses size scaling. Your paragraph right above acknowledges this fact. This little excerpt at the end, and frankly your entire last section was not needed, and doesn’t accomplish anything productive.